Sub-plots in Hamlet Essay -- Essays on Shakespeare Hamlet

Sub-plots in small town There argon many things that critics assign forward make Hamlet a Great Work, one of which is the way that Shakespeare assurefully incorporates so many sub-plots into the story, and ties them all into the main plot of Hamlets revenge of his fathers murder. By the end of Act I, non only is the main plot identified, only if many other sub-plots are introduced. Among the sub-plots are trust in the Ghost of King Hamlet, Fortinbras, and the relationship betwixt Hamlet and Ophelia. These three sub-plots are crucial to making Hamlet the master piece that it is.In the times that Shakespeare lived ghosts were a readily accepted idea, but one had to be wary of them because it was difficult to decipher a trade good ghost from a bad one. Horatio, Hamlets best friend, foremost brings that question into our mind when the Ghost is asking Hamlet to follow it. Horatio warned What if it entice you toward the flood, my lord,Or to the dreadful summit of the cliffThat b eetles oer his hind end into the sea,And there assume some other horrible formWhich dexterity deprive your sovereignty of reasonAnd draw you into madness? Think of it. (68) Hamlet disregarded Horatios warnings, followed the Ghost of his father, and heard of the murder that took place. This is where he healthful-read of his quest to revenge his father, the main plot of the play. But Hamlet comfort wasnt sure of the validity of the Ghost, so he decided to put the Ghosts accusations to a test. There is a play tonight before the King One scene of it comes near the circumstance Which I have told thee of my fathers death. . . Observe my uncle. If his occulted guilt Does not itself unkennel in one speech, It is a damned ghost that we have seen (156). By having a group of play... ...For many authors, to take so much as a word out of their work it is destroying it. For plays though, it is meant for words to be changed and affixed, but not for whole plots and sub-plots. To take out su ch a big part of a play is disastrous because it results the reader and auditory sense with unanswered questions. The sub-plots add to the plot complexity, let the audiences become more involved, and let them all leave feeling that they had seen some characteristic of themselves in the play. This is what makes a play great, and makes the audience want to see it over and over again. Even a on the face of it needless character can relate to someone. The more sub-plots (ones that are well worked into the play) the more people that can relate, the better the play. Works Cited Shakespeare, William. Hamlet. Durband, Alan, ed. and modern translation. Hutchinson & Co. London. 1986.